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Леонид Ламм в Картотеке GiF.Ru




"В искусстве не нужно быть напыщенным"
Самоидентификация художника-нонконформиста Леонида Ламма проходит в галерее Гельмана

8.02.2002
Михаил БОДЕ

В галерее Марата Гельмана проходит выставка известного художника-нонконформиста Леонида Ламма, эмигрировавшего почти двадцать лет назад в США. Ламма иной раз называют "соц-артистом". С этим термином он не совсем согласен. Еще его именуют русским "поп-артистом". По этому поводу у художника тоже есть возражения. В интервью с обозревателем Михаилом Боде Леонид Ламм попытался самоидентифицироваться.

Welcome to global paradise

26.05.2000
Леонид ЛАММ

This installation, titled WELCOME TO GLOBAL PARADISE, addresses the question of current transformations of universal culture. The world is shrinking as the globalization fosters a new order that binds us closer together in a mutual dependence. What is the impact of such a globalization on our lives and culture? Some believe that it helps to increase interests in local cultures, but others think that it homogenizes the world. What is the new meaning of individualism and collective identity? With this question in mind, WELCOME TO GLOBAL PARADISE asks the audience to rethink where we are going.

Happening "Act with Maykovsky's Monument"
Хэппенинг "Акт с памятником Маяковскому" (1967)

1.11.1993
Леонид ЛАММ

One July night in 1967 my friend Igor Gelbak and I set out for Mayakovsky's monument with two battles of quick-drying red paint. We had resolved to alter the monument and its environs, including the reaction of the people and the authorities in this performance.

Adam's Tower (Olam Adam Kadmon)
Пояснения к инсталляции "Башня Адама"

Леонид ЛАММ

The ADAM'S TOWER or OLAM (world) ADAM KADMON is my first installation, which was done in Russia (1973 – 1977). This is the successive continuation of my theory of SUPERSIGNAL and the relation of it to KABBALAH. ADAM KADMON is an archetypal and primordial man. From this base GOD created ADAM-MAN. In the beginning of the CREATION there was a single spirit that was corresponding to the body of ADAM. This spirit merged with the CREATOR.

The Leonid Lamm's Project "Fountain" (Reconciliation), 1993.

26.03.1993

This Project included ironical conceptual game of international cods and symbols from the one side, which has an ambivalent meaning, and from the other side equivalent of value of image. And an Artist looking for them the possibilities of another reside which are not adequacy with old relationship.

The Project for the Monument "Dollar", 1990

26.04.1990
Леонид ЛАММ

Proposed is the Project of the Monument showing the correct image of the "Hammer & Sickle"- one of the most important symbols of USSR- and the same image upside down, in which case we get a new representation, an American Dollar – a symbol of a post-communistic system.

SOTS-GEO – Manifest-Manifestation of the Procrustean Bed
Fundamental Ideas of the Sots-Geo Movement in Art

Леонид ЛАММ

Procrustes, the great robber-hero of ancient Greek mythology, engineered one of the most significant social revolutions by equalizing his victims before robbing them. By placing his victim onto an iron bed of certain dimensions (now known as The Procrustean Bed), and either cutting him down or stretching him out to fit, Procrustes set in motion a hitherto unprecedented process by which an elementary particle called the Socium was created. Such standardization of the particle was doubtless necessary if the victim was to be utilized as such, and it also made him understand that he was predestined to be utilized by an absolute equivalence established according to a single criterion.


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Идея: Марат Гельман
Составитель словаря: Макс Фрай
Руководство проектом: Дмитрий Беляков